Rabu, 29 September 2010

Amplitube 3 Full Dengan Crack (New King Of Tone)

AmpliTube

AmpliTube 3 is a massive upgrade to the guitar and bass tone gear-modeling software. It offers over 160 precisely modeled pieces of vintage and modern gear in one package - IK describes it as "the ultimate gear tone collection for players, producers and engineers".

AmpliTube 3 contains over 160 pieces of gear including models from the most sought-after vintage collections and modern day workhorses. You'll get 51 individual stompboxes and effects, 31 amplifier preamp & power sections, 46 speaker cabinet models, 15 high end stage and studio mics, and 17 post amp rack effects. Plus, with the AmpliTube 3 open architecture, you can add more packages as you need them, like AmpliTube Fender and Ampeg SVX.

AmpliTube 3 gear models give you realistic playing feel - not just the tones - but the actual dynamic response of their hardware counterparts. Plus, with IK's proprietary VRM (Volumetric Response Modeling) technology, you can add accurate rotating speaker effects, free dual mic placement plus room ambience and response to custom craft your tone.

AmpliTube 3's new creative effects let you create sounds you never heard before, and the new "drag & drop" effects configuration feature lets you quickly experiment with effects in the signal chain to get that totally unique sound.

  • 5 separate modules: Tuner, Stomp effects Pedalboard, Amp Head, Cabinet + Microphones, post Rack effects.
  • Over 160 included gear models.
  • 51 Stompbox effects.
  • 31 Amp models.
  • 46 Cabinet emulations.
  • 15 Studio Microphone models.
  • 17 Rack effects.
  • High-precision Tuner.
  • Cabinet module with two freely movable microphones and cabinet size control.
  • Room ambience with microphones' stereo width control.
  • Accurate analog modeling with DSM technology.
  • Realistic cabinet emulation with VRM technology.
  • 2 series/parallel rigs with 8 configurations, selectable mono/stereo input and true stereo processing.
  • Drag & Drop functionality in the Stomp and Rack modules for quick effects re-arrangement.
  • Advanced preset browser with guitar/bass dedicated keywords plus user keywords and smart search function.
  • Global and single gear presets.
  • Easy to set, one click best quality/performance settings.
  • Host/DAW BPM synchronization.
  • Freely assignable DAW automation.
  • Up to 96 kHz supported sampling rate.
  • Can be directly expanded with more "Powered by AmpliTube" software like AmpliTube Fender and Ampeg SVX.
  • One click MIDI CTL assignment, compatible with any standard MIDI controller.
  • Direct integration with IK's range of interfaces/controllers like StompIO, StealthPedal, StealthBoard with zero setup needed.
  • 4 track recorder/player with independent time stretch/pitch shift (Standalone version).
  • Non destructive recording allows post effect processing of the recorded audio (Standalone version).
  • 2 instruments can be simultaneously processed with independent audio settings (Standalone version).
  • Imports any Wav, Aiff, sd2, Apple Caf, Flac, MP3 audio file (Standalone version).
  • Metronome with selectable sounds (Standalone version).

Amplitube v.3.0.2 here

Amplitube v.3.0.2 crack here

Minggu, 26 September 2010

Membaca Map pada Cubase 5 (Map Reading)

Bekerja dengan Expression Maps cukup sederhana. Anda menetapkan Peta ke trek Instrumen MIDI atau melalui Expression Peta pop-up di Expression VST baru bagian pemantau, dari mana anda juga dapat membuka jendela Expression VST Setup untuk mengedit dan membuat Maps. Untungnya, Cubase 5 hadir dengan pilihan Expression Map siap pakai untuk Halion Satu dan Symphonic Orchestra Halion instrumen untuk anda mulai (HSO yang dijual terpisah, tetapi Anda mendapatkan demo 90 hari dengan Cubase 5). Membuat Expression Map sendiri ini tidak terlalu sulit, tetapi memerlukan membaca bab yang sesuai di petunjuk manual.

Sekali Expression Map diberikan, anda dapat menggunakan jalur artikulasi controller baru di Key, Drum dan In-Place editor untuk mengedit secara visual perubahan artikulasi. Jalur pengendali artikulasi bekerja mirip dengan jalur controller lain, tetapi dibagi menjadi beberapa sub-jalur, satu untuk setiap artikulasi, sehingga mudah untuk melihat dan mengedit perubahan Artikulasi.







Sementara jalur pengendali artikulasi memungkinkan anda untuk melihat semua artikulasi, dari perspektif mengedit itu paling nyaman untuk bekerja dengan arah. Untuk menetapkan atribut kedalam catatan individu, ada pilihan artikulasi baru dalam Event Info Line. Bila satu atau lebih catatan yang dipilih, ini memungkinkan anda menetapkan atribut dari menu pop-up daftar semua Atribut tersedia di Peta Ekspresi yang sedang ditugaskan.

Meskipun atribut ditugaskan tampil dalam jalur pengendali artikulasi, hal ini tidak selalu cara terbaik untuk melihat apa atribut ditugaskan untuk catatan apa, karena jelas memungkinkan untuk memiliki chord mana catatan atas mungkin memiliki atribut yang berbeda dari catatan yang lain di akord, aksen, mungkin. Kemampuan untuk mewarnai catatan menurut atribut akan sangat membantu. Sementara itu, editor daftar sebenarnya salah satu tempat paling jelas untuk melihat semua data artikulasi, sejak arah ditampilkan sebagai teks peristiwa dan atribut terdaftar dalam bidang komentar peristiwa catatan MIDI.

Salah satu editor yang paling berguna untuk menafsirkan peristiwa artikulasi adalah Score Editor, dan ini adalah tempat hal-hal yang bisa benar-benar menarik bagi para komponis yang bekerja dengan notasi dan ingin memiliki skor yang lebih tepat untuk lulus ke sebuah orkestra (via MusicXML), atau bahkan langsung ke musisi. Karena artikulasi yang didefinisikan dalam Ekspression Map bisa memiliki simbol musik atau item teks yang terkait dengan mereka, peristiwa artikulasi secara otomatis muncul di skor dalam Skor editor dalam mode kebanyakan musik yang benar, yang hanya fantastis. Dan meskipun mereka muncul dengan warna biru secara default, anda dapat dengan mudah mengubah warna penampilan mereka, jika Anda suka, di jendela Preferences.

Ada beberapa daerah di mana tata letak artikulasi dapat ditingkatkan. Pertama, artikulasi arah sering berakhir di staf, dan khususnya untuk teks, itu akan menjadi besar untuk menetapkan staf default offset sehingga mereka kebanyakan akan tetap jelas, baik di atas atau di bawah. Kedua, itu akan membantu jika ada default artikulasi Set Atribut Teks, sehingga Anda secara global dapat mengubah font yang digunakan untuk teks artikulasi.
Selain menampilkan acara artikulasi yang ada, anda juga dapat menambahkan artikulasi untuk Score, selama semua artikulasi yang tersedia muncul sebagai simbol dalam suatu bagian Ekspresi VST baru Score Editor Inspector.

VST Expression adalah fitur andalan dan benar-benar dipikirkan dengan baik, dan Steinberg telah jelas berpikir tentang apa yang dibutuhkan oleh komposer. Seperti VariAudio, itu mungkin tak terelakkan bahwa sequencers akan menggabungkan fitur tersebut, sekarang komponis yang bekerja dengan setup soft-synth semakin besar dan kompleks. Tapi saya pikir Steinberg layak untuk menjadi yang pertama untuk mengatasi kebutuhan ini, dan untuk menggabungkan itu berarti masuk ke begitu banyak daerah program, dan terutama ke Score Editor.

Baca dalam bahasa Inggris disini.

Sabtu, 25 September 2010


RMV is a Drum Synthesizer & Sampler, Loop Slicer and Librarian. It includes more than 10,000 sampled and synthesized drum sounds, 2,600 MIDI grooves, 1,500 Loops as well as a comprehensive 150 page reference manual (PDF) in English, French and Italian.

Features:

  • Drum Synthesizer.
  • Drum Sampler.
  • Audio Loop Modules (Slicer & Player).
  • Drum Librarian.
  • 32-voice polyphony.
  • Multiple instances of the RMV can be opened.
  • 48 polyphonic Pads for the universal or specialized Drum Synthesizers or Drum Samplers.
  • Six independent Audio Loop Modules with up to 64 slices each.
  • Each Pad and each Slice features its own controls for:
    • Volume
    • Pan
    • Output Selection
    • Tune (+- 24 semitones in 10 cent intervals)
    • Two independent Effects Send
  • Each Pad and Slice can belong to one of 10 Edit Groups (parameters for all Pads or Slices in a Group can be adjusted simultaneously).
  • Each Pad and each Slice can have additional modules:
    • A 12x12 Modulation Matrix
    • 3 independent LFOs
    • A Distortion and BitCrusher
    • A multimode AHDSR-controlled filter
    • A four-band parametric equalizer
    • Three insert effects racks each of which can be set to one of nine different effects units
    • A "Varizer" for unbeaten realistic humanizing
  • Each Pad additionally features its own controls for loading and saving Pad files, Choke Group (12 groups are available including prev/next and self-mute), Trigger Key, Polyphony (mono... 8, full), Mute and Solo.
  • Almost all instrument parameters are MIDI controllable.



Audio Module Features:
  • Pads and Audio Loop Modules provide mono and true stereo sample playback and processing.
  • Pads can hold either a Sampler or Synth Audio module:
    • A percussion sampler module
    • 2 different kick drum modules
    • 2 different snare drum modules
    • Open and closed hihat modules
    • A Tom module
    • A Clap module
    • Two cymbal modules
    • A simple and easy FM percussion module
    • A flexible, universal purpose drum synthesizer
  • Each Sampler module can hold up to 30 samples that can be layered, velocity-switched or -crossfaded and with parameters for start, end, reverse, volume and delay.
  • Sampler also features:
    • A Pitch Envelope with two successive Pitch and Time phases.
    • An AHDSR Envelope for controlling Amplitude.
  • Sample Waveform Display additionally shows Pitch- , Amplitude- and Filter-Envelope.
  • Samples can also be opened and edited in an external editor and then reloaded into the RMV right from RMV user interface.
  • Switchable response to MIDI Note Off.
  • Supported sample formats:
    • WAV 8-32 bit, mono and stereo, any sample rate
    • AIF 8-24 bit, mono and stereo, any sample rate
    • REX and REX 2



Library Features:
  • RMV comes with a vast selection of partly multi sampled acoustic and electronic kits and synthesized kits and MIDI and Audio Loops:
    • 10,000 Drum Sounds (Sampled and Synthesized)
    • 1500 Audio Loops
    • REX and REX 2
  • Four specialized "Librarians" are now incorporated into the RMV. Each Librarian has sophisticated search capabilities and is used for the storage and retrieval of various types of data that the RMV supports. The Librarians can be used with Pads (individual drum sounds), Kits, MIDI Grooves and Loops
  • Samples can be imported using the RMV Sample Browser (supporting favourite folders and pre-listening
  • The Kit Librarian features a "Live" control that enables setup of different Kits to be loaded using MIDI program change messages
  • Samples, Pads, Kits, Grooves and Loops can be browsed while the RMV is playing



Effects features:
  • Each Pad and each Slice has access to three individual Insert Effects, a four band EQ and two out of three Send Effects Racks.
  • Each Send Effect Rack can hold up to 3 individual effects and a final 4 band (2 bands parametric) EQ
  • Each Insert / Send can hold one of these Effects Units: Stereo Delay, Filter-Delay, Reverb, WahWah, Flanger, Compressor, Multimode Filter, Bit Crusher, Gator



Audio Loop Features:
  • 6 fully independent Audio Loop Slicers / Players are available.
  • Each Audio Loop Module with up to 64 Slices.
  • Each Loop Player can be used to load and playback audio loops in WAV, AIF, REX and REX2 format. Samples can be automatically sliced.
  • Slice start and end points, as well as automatic slicing sensitivity are user-definable.
  • Each slice has vast editing capabilities (like Filters, Envelopes, Modulations, Effects etc., see Main Features).


Download here

Strum Acoustic GS-1 (Guitar Virtual)


Strum Acoustic GS-1 is an acoustic guitar software synthesizer based on the latest AAS physical modeling technology. Strum provides a collection of steel and nylon acoustic guitars and includes elaborate voicing and strumming modules for the realistic reproduction of a guitarist's playing techniques. Chords played on the keyboard are automatically voiced for the guitar while strumming and picking actions are reproduced by an auto-strum function, special strumming keys, or MIDI loops. EQ, multi-effect, and reverb modules complete the package.

  • Keyboardist's Acoustic Guitar: Can't learn the guitar in time for your deadline. Your favorite session player is out of town. ROMplers are not quite there. Strum is the just-right solution.
  • Play a folk song with open chords: Play the chords you know and Strum voices them as a guitarist would.
  • Strum on your keyboard: Auto-strum chords or play them via strumming keys or MIDI loops.
  • Pick a guitar from your collection: Go from nylon to steel, from jumbo to concert, or from country rock to finger-style classical.
  • Create your own space: Add warmth with the EQ, lush with the chorus, and space with the reverb.

Download here from original site.

Download here from my collection with crack.

Marshall Time Modulator


The Marshall Time Modulator plug-in is a faithful recreation of a classic and much loved piece of audio hardware.
Before there was much "digital" anything, and before records were considered something anachronistic and nostalgia evoking, back when "Dark Side of the Moon" was new and Hip-Hop kind of a distant dream, Stephen St. Croix had an idea: What would happen if you took the the longest analog delay line possible, gave it the greatest signal to noise ratio in a piece of outboard gear, and then made the modulation of it possible over such a wide range that it could effect sound in ways sublime AND outrageous. Something so utilitarian and necessary that it could fit in equally well on Stevie Wonder's "Songs in the Key of Life," or as the means of giving extra gravitas to the sound of a bad acid trip. Stephen called it: The Marshall Time Modulator.

Features:

  • Two separate delay lines, in a ratio of 1:2 or 1:4., each with their own volume, phase and pan controls and a joint feedback control
  • Once modulation is added, the ratios between the delay lines don't change, but together the delay lines can be continuously swept over the range from minimum to maximum time over the LFO (Low frequency Oscillator) rate. This is a function of the interaction between the Time Delay, Preset, Time Modulation, LFO Shape and LFO Speed parameters working together

Download here

Jumat, 24 September 2010

AcmeBarGig DIG 2.0 (Dual Integrated Gain) (vst plugin)


DIG, short for Dual Integrated Gain, is a highly tweakable guitar amp and effects suite. Based on of a pair of high gain 12AX7 tubes, DIG is capable of everything from shimmering cleans to the highest gain heavy metal shred tones. Internally customizable parameters allow you to completely change the character of the amp and model real amplifiers.

Features:

  1. All features are bypass-able,
  2. Twin 12AX7 preamp tubes, individually bypass-able. for a range of crunch and searing lead tones,
  3. Tweakable tonestack EQ for precision sculpting your tone,
  4. 2 Tweakable Crossovers and 2 filters for emulating your favorite amps,
  5. Whisper: Clean amp with powerful EQ section, with a wide range of tones,
  6. Mono/Stereo Delay, with delay times of up to 6 seconds,
  7. Noise Gate, specially designed for DIG,
  8. Cabinet Shaper for getting the perfect cabinet tone. Bypass-able. for use with external cabinet IRs,
  9. Preset Manager with web features for uploading and downloading presets from the AcmeBarGig site.

It's free stuff. Download here

AcmeBarGig C-15 Guitar Amp (vst plugin)


AcmeBarGig describes C-15 as "insanity controlled". "One turn of a knob lets you know this amp is one step away from being out of control, but the knob itself possesses all the harness required to make sure that C-15 does not lose its head. Forcing a C-15 to hold back is not the best way to treat it, in the real world that can manifest itself in many ways, in the ABG C-15 head it manifests itself in limited tone qualities, Crank it up and let it cut loose, you will be rewarded with a high gain that delivers crisp over tones and rich soundscape. This is a METAL Head, nothing else."

It's free stuff. Download here

Rabu, 01 September 2010

Semangkuk Bakso Spesial

Apakah makanan kesukaanmu?
Apakah Bakso?

Saya punya sebuah kisah tentang seorang pembuat Bakso paling enak
yang pernah ada.

Bayangkan ada semangkuk Bakso yang rasanya sangat enak. Saking
enaknya sampai kau tak merasa telah memakannya.

Bakso itu dibuat khusus untuk kamu, dan hanya kamu yang tahu persis
citarasa yang ditimbulkan dari racikan bumbu spesial dari kuahnya.
Sehingga disetiap gigitan, kamu selalu merasa ingin menggigit lagi.

Bakso itu pernah disajikan terus-menerus kepadamu, hanya kepadamu
selama 3 tahun. Dan setiap hari, rasanya tidak pernah berobah. Meski
kadang tidak tepat waktu, atau jumlahnya yang tidak selalu sama
banyak. Tapi setiap hari kau tetap dapat menikmatinya.

Sang koki pun merasa bangga atas produk buatannya. Dan ia pun dengan
ikhlas memberikannya padamu tanpa mengharapkan imbalan apapun.

Apakah kau menyukainya?
Apakah kau menikmatinya?
Apakah kau tahu "Bakso" itu terbuat dari apa saja? bagaimana cara
pria itu membuatnya? Pernahkah kau menanyakannya pada dirimu
sendiri?
Pernahkah kau menghargainya?

2 tahun berlalu sejak pertama kali kau merasakan nikmatnya.
Kau pun mulai mengeluh setiap kali "Bakso Spesial" itu kadang telat
dihidangkan, atau saat komposisinya kadang berkurang.
Kau mulai merasa berhak penuh atas Bakso Spesial yang selalu
disajikan kepadamu, meski awalnya itu sebagai penghargaan atas
kemuliaan hatimu. Dan kau pun merasa berhak untuk memaksa sang Koki
untuk menyajikannya secara teratur untukmu, tanpa kamu memperhatikan
keadaannya.

Sejak setahun yang lalu kau sudah tidak dapat menikmati Bakso itu
lagi. (hahahahaha....). Tapi dalam hatimu, masih saja menyalahkan
sang Koki yang telah mengorbankan segalanya untukmu, mempertaruhkan
hidupnya hanya untuk mu.

Sekarang (4 tahun sejak pertama kali kau merasakan Bakso Spesial itu)
Kau masih menyimpan mangkuk bakso yang belum dicuci selama 4 tahun.
Subhanallah....bau yang ditinggalkan saja masih begitu harum,
seakan masih terbayang rasa Bakso ini 4 tahun yang silam...seakan
mencium baunya saja sudah membuatmu bahagia....
Dan kau kembali karena ingin merasakan nikmatnya Bakso Spesial itu?

Sekarang semua sudah terlambat!!!
Kini sang Koki hidup sendiri, dan tidak pernah akan membuat bakso
seenak dulu lagi. Karena dari setiap kebaikannya, ia hanya mendapat
caci-maki.
Sekarang ia ingin beralih profesi......
menjadi pembuat Racun nomor 1 didunia.....racun dengan citarasa
seenak bakso spesial, sehingga semua gadis ingin mencicipinya, tanpa
sadar mereka telah menyerahkan nyawa.....




Cerita ini diangkat dari kisah nyata penulis.